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Is Avatar The Last Airbender An American Anime

Written By Friday, June 17, 2022 Add Comment Edit

American animated tv set series

Avatar: The Concluding Airbender
Avatar The Last Airbender logo.svg
Also known as Avatar: The Legend of Aang [one]
Genre
  • Activity-risk
  • Fantasy
  • Comedy drama
  • Coming of age
Created past
  • Michael Dante DiMartino
  • Bryan Konietzko
Voices of
  • Zach Tyler Eisen
  • Mae Whitman
  • Jack DeSena
  • Dante Basco
  • Jessie Bloom
  • Dee Bradley Baker
  • Mako
  • Greg Baldwin
  • Grey DeLisle
  • Mark Hamill
Composers
  • Jeremy Zuckerman
  • Benjamin Wynn
Country of origin United states
Original linguistic communication English language
No. of seasons 3
No. of episodes 61 (list of episodes)
Product
Executive producers
  • Michael Dante DiMartino
  • Bryan Konietzko
  • Aaron Ehasz (co-executive producer)
Animators JM Blitheness (32 episodes)[a]
DR Movie (xix episodes)[b]
Moi Animation (10 episodes)[c]
Running time 23 minutes
Product company Nickelodeon Animation Studios
Benefactor MTV Networks
Release
Original network Nickelodeon
Picture format NTSC
Original release February 21, 2005 (2005-02-21) –
July 19, 2008 (2008-07-nineteen)
Chronology
Followed by
  • Avatar: The Concluding Airbender (comics)
  • The Legend of Korra

Avatar: The Final Airbender (abbreviated every bit ATLA ),[2] too known as Avatar: The Legend of Aang in some regions, is an American anime-influenced animated television series produced past Nickelodeon Blitheness Studios. It was co-created by Michael Dante DiMartino and Bryan Konietzko, with Aaron Ehasz serving as head author. It aired on Nickelodeon for three seasons, from February 2005 to July 2008.[3]

Avatar is gear up in an Asiatic-inspired globe in which some people tin can telekinetically manipulate one of the iv elements—h2o, globe, fire or air—through practices known as "angle", inspired past Chinese martial arts. The only individual who can bend all four elements, the "Avatar", is responsible for maintaining harmony amidst the world's four nations, and serves as the span between the physical globe and the spirit world. The series is presented in a style that combines anime with United states cartoons and relies on the imagery of mainly Due east Asian culture, with some South Asian, New Earth, and Inuit and Sireniki influences.

The series is centered effectually the journey of twelve-year-old Aang, the current Avatar and last survivor of his nation, the Air Nomads, along with his friends Katara, Sokka, and later Toph, equally they strive to end the Fire Nation's war against the other nations of the world. It also follows the story of Zuko—the exiled prince of the Fire Nation, seeking to restore his lost accolade by capturing Aang, accompanied by his wise uncle Iroh—and later, his ambitious sister Azula.

Avatar: The Last Airbender was a ratings success and received widespread universal acclaim from audiences and critics alike for its characters, cultural references, art direction, soundtrack, humor, and themes. These include concepts rarely touched on in youth entertainment, such every bit state of war, genocide, imperialism, totalitarianism, indoctrination and free choice.[4] The evidence is regarded by several critics as one of the greatest animated tv set serial of all time. It won five Annie Awards, a Genesis Honour, a Primetime Emmy Award, a Kids' Selection Award, and a Peabody Award.

The extended Avatar franchise includes an ongoing comics serial, a prequel novel series, an animated sequel series, and a live-action film, as well as an upcoming alive-action remake serial produced for Netflix.[5] The complete series was released on Blu-ray in June 2018 in honour of the tenth anniversary of its finale[vi] and was made available to stream on Netflix in the U.s. and Canada in May 2020,[7] [8] on Paramount+ in June 2020,[9] and on Amazon Prime Video in January 2021.[ten]

Serial overview

Setting

world map

A map of the four nations

Avatar: The Final Airbender is set up in a world where homo civilization consists of iv nations, named after the four classical elements: the Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. In each nation, certain people, known every bit "benders" (waterbenders, earthbenders, firebenders and airbenders), have the ability to telekinetically manipulate and control the element corresponding to their nation, using gestures based on Chinese martial arts. The "Avatar" is the only individual with the ability to bend all four elements.

The Avatar is an international arbiter whose duty is to maintain harmony among the four nations, and act as a mediator betwixt humans and spirits. When the Avatar dies, their spirit is reincarnated in a new body, who volition be born to parents in the adjacent nation in a set order known equally the Avatar cycle: Fire, Air, Water and Earth. By tradition, the new Avatar will travel the world to learn all 4 bending arts, after which they will begin in earnest their role equally global peacekeeper. The Avatar tin can enter a condition known equally the "Avatar State", in which they temporarily gain the skills and noesis of all their past incarnations. Although this is when they are at their near powerful, if the Avatar was ever killed while in the Avatar State, the reincarnation cycle would be broken and the Avatar would terminate to exist.

Synopsis

A century ago, young Avatar Aang, afraid of his new responsibilities, fled from his habitation and was forced into the ocean past a tempest. He encased himself in suspended blitheness in an iceberg near the Southward Pole. Shortly afterward, Fire Lord Sozin, the ruler of the Fire Nation, launched a globe war to expand his nation'south empire. Knowing that the Avatar must be an Air Nomad, he carried out a genocide against the Air Nomads with the help of a comet enhancing firebenders' power. A hundred years later, siblings Katara and Sokka, teenagers of the Southern Water Tribe, accidentally discover Aang and revive him.

In the first season, Aang travels with Katara and Sokka to the Northern Water Tribe and then he can learn waterbending and be prepared to defeat the Fire Nation. Prince Zuko, the banished son of the current Fire Lord Ozai, pursues them, accompanied by his uncle Iroh, hoping to capture the Avatar in guild to restore his honor. Aang is as well pursued by Zhao, a Fire Nation admiral aspiring to win Ozai's favor. When his navy attacks the Northern Water Tribe, Zhao kills the moon spirit; Yue, the princess of the tribe, sacrifices her life to revive it, and Aang drives off the enemy fleet.

In the 2nd flavour, Aang learns earthbending from Toph Beifong, a bullheaded twelve-twelvemonth-quondam earthbending prodigy. Zuko and Iroh, now fugitives from the Fire Lord, become refugees in the Earth Kingdom, eventually settling in its capital Ba Sing Se. Both groups are pursued by Azula, Zuko's younger sister and a firebending prodigy. Aang's group travels to Ba Sing Se to seek the Earth Rex'south support for an set on on the Fire Nation timed to an upcoming solar eclipse, during which firebenders will be powerless. Azula instigates a insurrection d'état, bringing the capital under Burn down Nation control, and Zuko sides with his sister. Aang is fatally wounded by Azula, simply he is revived past Katara.

In the third flavour, Aang and his allies invade the Fire Nation majuscule during the solar eclipse, only are forced to retreat. Zuko abandons the Burn Nation to bring together Aang and teach him firebending. Aang, raised by monks to respect all life, wrestles with the possibility that he will accept to kill Ozai to stop the war. When Sozin'southward comet returns, Aang confronts Ozai and uses his Avatar powers to strip Ozai of his firebending ability; meanwhile, Aang'due south friends liberate Ba Sing Se, destroy the Fire Nation airship armada, and capture Azula. Zuko is crowned the new Fire Lord and the war comes to an stop.

Episodes

The series consists of sixty-ane episodes. The first episode—an-hr-long premiere—aired on February 21, 2005, on Nickelodeon.[11] The serial concluded with a two-hr tv set movie broadcast on July 19, 2008.[12] Each season of the series is known every bit a "volume", in which each episode is referred to as a "chapter". Each volume takes its proper name from one of the elements Aang must master: Water, Earth, and Burn.[11] The show's first two seasons each consists of 20 episodes and the 3rd flavour has twenty-ane. The unabridged serial has been released on DVD in regions one, 2 and 4.[13]

Every bit of May 2020,[update] the complete serial is bachelor on Netflix in the United states of america.[14] It became the about popular show on U.s. Netflix within the first week of its release there, despite not being featured on the principal page.[7] The show broke the record for longest consecutive appearance on Netflix'southward daily height ten list, with 60 direct days on the list, i of merely two shows in the summit ten record holders that wasn't a Netflix original series every bit of July 2020.[15] After in June 2020, the complete series became bachelor on Paramount+ (at the time CBS All Access)[9] and later on Amazon Prime number Video[10] in January 2021.

Development

Formulation and production

Bald man with glasses smiling

Dark-haired man with glasses smiling

Michael DiMartino (left) and Bryan Konietzko, the serial' co-creators

Avatar: The Final Airbender was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Its animation was mostly done past Due south Korean studios JM Blitheness, DR Movie, and MOI Animation. According to Konietzko, the series was conceived in early 2001 when he took an erstwhile sketch of a balding, middle-aged man and imagined the human as a child. He drew the character herding bison in the heaven and showed the sketch to DiMartino, who was watching a documentary about explorers trapped at the South Pole.

Konietzko described their early evolution of the concept: "There'southward an air guy along with these h2o people trapped in a snowy wasteland ... and perhaps some fire people are pressing downward on them".[16] Ii weeks subsequently, the co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman.[17]

The series was introduced to the public in a teaser reel at Comic-Con 2004,[xviii] and premiered on Feb 21, 2005.[xix]

In an interview, Konietzko said: "Mike and I were really interested in other epic 'Legends & Lore' properties, like Harry Potter and Lord of the Rings, but we knew that we wanted to take a unlike arroyo to that blazon of genre. Our beloved for Japanese anime, Hong Kong action and kung fu cinema, yoga, and Eastern philosophies led united states to the initial inspiration for Avatar: The Last Airbender."[20]

Pilot

A airplane pilot episode for the series was made in 2003. It was animated by Tin House, Inc., written by Michael Dante DiMartino and Bryan Konietzko, and directed by Dave Filoni. Mitchel Musso voiced Aang in this pilot simply was afterwards replaced by Zach Tyler Eisen when the show began production. In the episode, Sokka and his sis Kya (renamed to Katara by the time the series aired) must travel the world to find masters for Aang, who is the Avatar; withal, they must evade a disquisitional foe, Prince Zuko of the Fire Nation, who wants to capture Aang.

This episode was outset publicly released as ane of the extras in the NTSC flavour 1 DVD box set, which were not available with the previously released individual volumes. Every bit the PAL box gear up lacks extras, the episode was not made available on DVD in PAL regions. The episode was released with audio commentary from the creators, which unlike commentary on other episodes in the season is not possible to disable on the DVD set.[21] On June 14, 2010, the unaired pilot was fabricated available with and without commentary for the first time via the iTunes Store.[22]

In 2020, the airplane pilot was shown on Twitch.[23]

Influences

Fictional locations featured in the prove are based on the architecture and designs of real locations. For example, the creators modeled the city of Ba Sing Se off the Forbidden Urban center in Beijing, Red china.

The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings.[24] [25] Its character designs are influenced past Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.[24] [26] Jeremy Zuckerman and Benjamin Wynn created the series' music and sound design together in the early developmental stages and and so went on to divide the tasks, Zuckerman taking on the musical responsibleness and Wynn the sound blueprint. They experimented with a broad range of instruments, including the guzheng, pipa, and duduk, to match the show's Asia-influenced setting.[27] The fine art mode of the fictitious locations used in the series are based on real locations in Asia. Sites such as the Forbidden City and the Peachy Wall of China in Beijing were inspirations for the Earth Kingdom city of Ba Sing Se,[28] and H2o Tribe locations were based on Inuit and Sireniki cultures.[4] According to writer Aaron Ehasz, early Burn down Nation designs were based on Japanese culture. To avoid accidentally making wide statements, they redesigned many settings and peoples to be more "broadly inspired".[4] For the last design, the creators went with a more Chinese style for the Burn down Nation's wearable and compages.[29] For case, the Burn Temple was based on the Yellow Crane Tower, as its flame-like architectural elements were a perfect motif for the Fire Nation compages according to the creators.[30]

The gestures used by the "bender" characters are derived from Chinese martial arts, for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Able-bodied Association as a consultant.[31] Each fighting style is unique to the "benders" who utilize them or characters who are aligned to a certain chemical element. For example, practitioners of "waterbending" use movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of "earthbending", and was chosen for its firmly rooted stances and powerful strikes every bit a representation of the solidity of world. Northern Shaolin, which uses strong arm and leg movements, was chosen to represent "firebending". Ba Gua, which uses dynamic round movements and quick directional changes, was used for "airbending".[32] The Chu Gar Southern Praying Mantis style can be seen practiced past the earthbender Toph, who develops a unique fighting style every bit a result of her blindness.[33] Asian cinema influenced the presentation of these martial-art angle moves.[xvi]

Themes

The series addresses many topics rarely touched on in youth entertainment, including problems relating to war, genocide, imperialism, colonialism and totalitarianism, gender discrimination and female empowerment, marginalization and oppression, equally well as the philosophical questions surrounding fate, destiny and free will.[4]

The evidence is set during a menstruum in which the world is engulfed in an imperialistic war initiated by the Fire Nation. While state of war is a constant backdrop, the testify depicts these effects through the optics of common people—the oppressed Globe Kingdom citizens as well equally indoctrinated Burn Nation schoolchildren—to show how war makes victims of everyone.[iv] And while the Fire Nation is presented equally the instigator of violence, the show also depicts the systemic inequality experienced by residents in the Earth Kingdom city of Ba Sing Se as well equally the nefarious activities of the metropolis's secret police. These situations show the corrupting nature of power and the nuances of good and evil.[4] The prove introduces viewers to genocide early on on when protagonist Aang visits his erstwhile domicile in the Southern Air Temple. He arrives to discover his people accept been massacred, and allows him to brandish a range of emotions, from rage to loss.[34]

The grapheme Zuko and his relationship with his father and Uncle Iroh is the series' main redemption arc, and represents the show's bulletin that destiny and fate are not binding or set past other people, only can be changed.[35] In season ii, Zuko struggles to conform to the destiny and path determined by his father,[iv] merely Iroh prods him, asking, "who are y'all, what practice y'all desire?"[36]

The show also represents a diverse cast of characters in club to tackle the upshot of marginalization. For example, in introducing a bullheaded character like Toph and a paraplegic boy like Teo, the show depicted characters with vulnerabilities overcoming their physical and societal limitations.[4] This is likewise true when it comes to the show'southward female characters. For instance, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to learn waterbending. In another instance, her brother Sokka is initially dismissive of the all-female person Kyoshi Warriors, but learns to respect and appreciate their skills.[4] According to Kirk Hamilton of Kotaku, these themes correspond the bear witness's message that information technology is more of import to be oneself than hew to societal expectations.[36]

Reception

Ratings

Avatar: The Final Airbender was the highest-rated animated television serial in its demographic at its premiere; an average of 1.1 one thousand thousand viewers watched each new episode.[37] It had 5.half dozen million viewers for its highest-rated episode[38] [ need quotation to verify ] and was a highly rated part of the Nicktoons lineup beyond its 6-to-eleven-year-old target demographic.[39] A one-hour special, The Underground of the Burn down Nation, consisting of the episodes "The Snake's Pass" and "The Drill", aired on September 15, 2006, and attracted iv.i million viewers. According to the Nielsen ratings, the special was the 5th highest-rated cable television program that week.[40] In 2007, Avatar: The Concluding Airbender was syndicated to more than 105 countries and was one of Nickelodeon's top-rated programs. The series ranked first on Nickelodeon in Germany, Indonesia, Malaysia, the netherlands, Kingdom of belgium, and Colombia.[41]

The four-part serial finale, "Sozin's Comet", had the series' highest ratings. Its first airing averaged 5.6 1000000 viewers, 95 per centum more than Nickelodeon had in mid-July 2007.[ citation needed ] During the week of July 14, it was the most-viewed plan by the under-fourteen demographic.[42] [43] The finale'due south popularity was reflected in online media; Rising of the Phoenix Rex, a Nick.com online game based on "Sozin's Comet", had almost 815,000 game plays in 3 days.[44]

Disquisitional response

Avatar: The Last Airbender received widespread critical acclamation. As of July 2020[update], the prove has a critics score of 100% on Rotten Tomatoes based on 23 reviews.[45] Max Nicholson of IGN called it a "must-watch" and described it every bit "one of the greatest blithe serial of all fourth dimension".[46] Nick Hartel of DVD Talk called the series a remarkable, "kid friendly show" whose legacy "should endure for years to come".[35] Erik Amaya of Bleeding Cool described the serial as "impressive in its sophistication" and "fantastic".[47] Henry Glasheen of SLUG Magazine called the series "adventurous and exciting", a "classic" and occasionally moving.[48] According to Brittany Lovely of Hypable, it tells "complex and beautiful" stories.[49] Joe Corey of Within Pulse described the series as an anime-action hybrid.[50] Chris Mitchell of Popzara called it one of best shows to air on Nickelodeon, praising the series' background music and voice acting.[51] D. F. Smith of IGN recommended it to viewers who savor action-gamble cartoons.[52]

Rob Keyes of Screen Rant called the series "one of the greatest cartoons ever fabricated".[53] Mike Noyes of Inside Pulse recommended information technology to viewers who enjoy "swell" risk.[54] Gord Lacey of TVShowsOnDVD.com called the series "i of the finest animated shows always".[55] Co-ordinate to Todd Douglass, Jr. of DVD Talk, adults will savor the series every bit much as children do.[56] Joshua Miller of CHUD.com chosen it "astounding" and "i of the most well animated programs (children's or developed) American TV has always had"; according to Miller, the series is heavily influenced by anime.[57] Tim Janson of Cinefantastique described information technology as "1 of the most engaging animated shows produced".[58] Dennis Amith of J!ENT called the series "one of the best animated Television receiver serial shown in the US by American creators". Amith praised its sophisticated storylines, edginess, humor, and action.[59] Franco "Cricket" Te of Nerd Social club described Avatar: The Terminal Airbender every bit "one of the best cartoon[s]" he had always seen, recommending the series for its characters and plot.[threescore] Scott Thill of Wired called the series engaging and its setting, influenced by the Eastern world, "fantastic".[61] Kirk Hamilton of Kotaku said the serial should exist part of the Golden Historic period of Television, and recommended "the sophisticated kids bear witness" to others.[36]

The show'south writing and themes take been widely lauded by critics. Michael South. Mammano of Den of Geek called the plot "smartly-written" and praised the blitheness.[62] Nicole Clark, writing for Vice News, stated that the show's narrative depth was "its greatest asset", and praised the story's "emotional authenticity" and how information technology "expose[d] very immature viewers to darker subject matter, similar genocide and absolutism, while giving them a framework for understanding these problems."[4] Jenifer Rosenberg of ComicMix liked the programme's emphasis on family, friends, customs, and education.[63] According to Nick Hartel, the series touches on themes of "genocide and self-doubt" without frightening younger children; rogue characters are redeemable, sending an important message that people can alter and are not bonded to "destiny".[35] Chris Mitchell chosen the plot "fantastic".[51] D. F. Smith compared the serial' plot to Japanese activity cartoons, calling its tone and dialogue "very American" and praising the humour leavening an epic, dramatic theme suitable for all ages.[52] Rob Keyes also praised the series' humor and affecting plot: "[It] will capture your hearts".[53]

According to Mike Noyes, the series amalgamates elements of "classic fantasy epics".[54] Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series' concept is "well-realized", with a consequent story. Douglass wrote that the characters "[have] a real sense of progression", and praised the writers for their humor, drama, and emotion.[56] Joshua Miller called the series surprisingly dark despite its "light-headed" theme; the plot is livelier than that of Lost and, like to the latter prove, emphasizes character evolution. According to Miller, its writing was "true adult levels of storytelling".[57] Tim Janson described the series as more than fantasy- and superhero-themed, seeing the characters as fundamental and relatable.[58] "Cricket" Te praised the series' utilize of Buddhist philosophies and the diverse presentation of its themes of backbone and life.[threescore] Kirk Hamiltion praises the series for expressing towards its audience to be themselves and for its tranquillity progressivism.[36]

Critics also praised Avatar: The Last Airbender 's character development, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. Co-ordinate to Amaya, the elements were influenced past Hayao Miyazaki.[47] Todd Douglass, Jr. called the character evolution interesting,[56] while Nicole Clark wrote that the show "managed to do what so few shows even today accept: assemble a cast of characters that depicts the world equally information technology is, with a range of identities and experiences."[4] Jenifer Rosenburg praised the series' portrayal of females equally "strong, responsible, [and] intelligent".[63] Co-ordinate to Joshua Miller, the bender characters' use of bending for everyday activities brings "depth and believability" to the Avatar globe. Miller called the series' designs "rich and immersive", with each nation having its own, detailed look. He praised the activity scenes as "well rendered", comparing the development of the Avatar world to that of The Lord of the Rings, and the fight choreography equally "wonderful in its almost modest details".[57] D. F. Smith enjoyed the serial' painstaking backgrounds.[52] "Cricket" Te praised each episode'southward colour palette and the choreography's combination of martial arts and magic.[threescore] Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows.[35] Chris Mitchell called the animation fluid.[51] "Cricket" Te agreed, noting its manga influence.[60] According to Brittany Lovely, not-bender characters in battle are "overshadowed" by their bender counterparts.[49] Joe Corey called the blitheness's action and environments a "great achievement",[50] and Rob Keyes praised the series' fight choreography.[53] According to Kirk Hamilton, the activeness sequences in the series are amazing while being child-appropriate and exciting.[36]

Legacy

Avatar: The Last Airbender has become a cult classic and had a large impact in the 2010s on how networks viewed blithe programs; subsequent children's shows would often mistiness the lines between youth and adult programming, featuring more adult themes.[64] [65]

Multiple media publications take hailed Avatar every bit i of the all-time (blithe) telly serial of all time.[66] [iv] [67] [68] [69] [70] [71] In 2013, TV Guide included Avatar among the threescore greatest cartoon of all-time list.[72] In 2018, Vanity Fair ranked the series every bit the 11th-best animated Tv show.[73] IndieWire ranked Avatar at number 36 on its 2018 listing of the "50 Best Animated Series Of All Time".[74]

The serial experienced a resurgence in popularity following its addition to Netflix on May 15, 2020; it reached the number-ane position on the platform's top series in the U.Southward. four days after release, and was the most-popular pic or prove for the week of May 14–21.[75] The series maintained a spot inside Netflix's height 10 series for a record-setting 60 days, the most of any show since the visitor debuted its list of meridian serial in February 2020.[76] The series would become the almost-streamed children's serial on the platform for the year.[77] Both fans and co-creators Michael Dante DiMartino and Bryan Konietzko attributed Avatar 's renewed popularity to its relevance to contemporary events, including the COVID-19 pandemic and racial unrest in the U.S., with DiMartino remarking: "The major problems in the stories—genocide, totalitarianism, systemic injustice, corruption—sadly, these have been pervasive problems throughout history and proceed to exist. The show is a reflection of our earth. Simply now, we happen to be living through a time in which all these problems have been exacerbated."[78]

Awards and nominations

Award nominations for Avatar: The Final Airbender
Year Award Category Nominee Status
2005 Pulcinella Awards All-time Action Adventure TV Series Avatar: The Last Airbender Won[79]
Best Tv set Series Avatar: The Last Airbender Won[79]
2006 33rd Annie Awards Best Blithe Television Production Avatar: The Last Airbender Nominated[80]
Storyboarding in an Blithe Television Production Lauren MacMullan for "The Deserter" Won[eighty]
Writing for an Animated Television Production Aaron Ehasz and John O'Bryan for "The Fortuneteller" Nominated[80]
2007 Nickelodeon Australian Kids' Option Awards 2007 Fave Toon Avatar: The Last Airbender Nominated[81]
34th Annie Awards Character Animation in a Television Production Yu Jae Myung for "The Bullheaded Bandit" Won[82]
Directing in an Animated Television Production Giancarlo Volpe for "The Drill" Won[82]
Genesis Awards Outstanding Children's Programming "Appa'due south Lost Days" Won[83]
59th Primetime Emmy Awards Outstanding Animated Program "Metropolis of Walls and Secrets" Nominated[84]
Outstanding Individual Achievement in Animation Sang-Jin Kim for "Lake Laogai" Won[85]
2008 2008 Kids' Choice Awards Favorite Cartoon Avatar: The Last Airbender Won[86]
Annecy International Animated Movie Festival Television serial Joaquim Dos Santos for "The Day of Black Sun, Part 2: The Eclipse" Nominated[87]
Peabody Awards N/A Avatar: The Concluding Airbender Won[88]
13th Satellite Awards Best Youth DVD Book 3: Fire, Volume 4 Nominated[89]
2009 36th Annie Awards Best Animated Television receiver Production for Children Avatar: The Final Airbender Won[90]
Directing in an Animated Goggle box Production Joaquim Dos Santos for "Sozin's Comet, Function three: Into the Inferno" Won[xc]
Aureate Reel Awards All-time Sound Editing: Tv set Animation "Sozin's Comet, Part 4: Avatar Aang" Nominated[91]
Nickelodeon Australian Kids' Choice Awards 2009 Fave Toon Avatar: The Concluding Airbender Won[92]
2010 Nickelodeon Australian Kids' Choice Awards 2010 Top Toon Avatar: The Final Airbender Nominated[93]

Other media

Books

Several books based on the show have been published. Night Horse Comics published an art book titled Avatar: The Concluding Airbender – The Fine art of the Blithe Series on June 2, 2010, with 184 pages of original art from the series.[94]

Comics

Several comic-book short stories were published in Nickelodeon Magazine, and Dark Equus caballus published Avatar: The Last Airbender – The Lost Adventures—a drove of these and new comics—on June 15, 2011.[95]

Dark Equus caballus published a graphic-novel series past Gene Yang that continues Aang's story after the Hundred Years' State of war. Avatar: The Final Airbender – The Promise, published in iii volumes in 2012, explores the fate of the Fire Nation colonies that become The Fable of Korra 'south United Republic. This serial was translated into Hebrew in 2016–2017.[96] A second gear up of iii comic books, Avatar: The Final Airbender – The Search, focuses on Zuko and Azula, and the fate of their mother Ursa.[97] The second gear up was translated into Hebrew in 2018–2019.[98] The third ready, Avatar: The Last Airbender – The Rift, shifts the focus to Aang, the creation of Republic City, and Toph's relationship with her family unit.[99] The Rift was followed past Avatar: The Terminal Airbender – Smoke and Shadow about a resistance force in the Fire Nation against Firelord Zuko, who at the end of the original series assumed the throne.[100] The 5th graphic novel was Avatar: The Last Airbender – North and South, which follows the events of Smoke and Shadow and is about Katara and Sokka returning to the Water Tribe to encounter various changes to their homeland.[101] The adjacent graphic novel is titled Imbalance and was released in Oct 2018. The series explores the emerging conflict between the benders and non-benders that becomes the middle for the conflict in the starting time season of the sequel, The Legend of Korra. Unlike the previous five books it was written by Faith Erin Hicks.[102]

Prequel novel series

A two-role young adult novel series focusing on Avatar Kyoshi written by F. C. Yee was published in July 2019 past Abrams Children's Books. The first book of the Kyoshi Novels is Avatar: The Last Airbender – The Rise of Kyoshi.[103] The 2d office in the serial, titled The Shadow of Kyoshi, was released on July 21, 2020.[104]

Video games

A video-game trilogy based on the serial has been released. The Avatar: The Terminal Airbender video game was released on October 10, 2006,[105] and Avatar: The Last Airbender – The Burning Globe was released on October 16, 2007.[106] Avatar: The Last Airbender – Into the Inferno was released on Oct 13, 2008.[107] Avatar: Legends of the Arena, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, by Nickelodeon. Players tin can create their ain character and interact with other players effectually the world.[108] Avatar: The Terminal Airbender was THQ's bestselling Nickelodeon game in 2006 and was one of Sony CEA's Greatest Hits.[109] Aang and Zuko announced as skins for Merlin and Susano, respectively, in Smite.[110] Avatar: The Final Airbender characters and locations are featured in Nickelodeon Kart Racers ii: K Prix.[111]

Flick adaptation

The series' first flavor was the basis of the 2010 alive-activeness moving-picture show The Last Airbender, which was written and directed by G. Night Shyamalan. It was intended as the first of a trilogy of films, each of which would be based upon one of the three goggle box seasons. The picture was universally panned for its writing, acting, whitewashed cast, and Shyamalan's direction; information technology earned a 5% blessing rating on Rotten Tomatoes as well as five Razzies at the 31st Gilt Raspberry Awards, including Worst Film,[112] [113] [114] and some critics described it as one of the worst films ever fabricated.[115] [116] [117] Although the moving-picture show originally shared the title of the goggle box serial, the title The Final Airbender was used because producers feared it would exist confused with James Cameron'southward film Avatar.[118] The Terminal Airbender stars Noah Ringer as Aang, Nicola Peltz as Katara, Jackson Rathbone as Sokka, Dev Patel every bit Zuko, and Shaun Toub as Iroh.[112]

Sequel serial

The Legend of Korra, a sequel serial to Avatar: The Terminal Airbender, premiered on Nickelodeon on April 14, 2012.[119] Information technology was written and produced past Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.[120] The show was initially titled Avatar: Legend of Korra, and then The Last Airbender: Legend of Korra; its events occur seventy years subsequently the stop of Avatar: The Last Airbender.[121] The serial' protagonist is Korra, a 17-yr-old daughter from the Southern Water Tribe who is the incarnation of the Avatar afterwards Aang'south expiry.[119]

Alive-activeness series remake

Netflix appear in September 2018 that a "reimagined" alive-action remake of Avatar was to get-go production in 2019. The serial' original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.[5] The ii said that they intended to adapt the serial "with a culturally appropriate, not-whitewashed bandage".[122] It was announced that Jeremy Zuckerman, who equanimous music for the original show, would also be returning to practise the music for the remake.[123] On Baronial 12, 2020, Michael Dante DiMartino and Bryan Konietzko both revealed on their social media that they had departed the show due to artistic differences.[124] [125] [126] [127]

In February 2021, Albert Kim was reported to have been brought on equally the showrunner.[128] In Baronial afterwards that year, it was reported that Gordon Cormier, Kiawentiio Tarbell, Ian Ousley and Dallas Liu were cast in the roles of Aang, Katara, Sokka and Zuko, respectively.[129] On Nov 3, Daniel Dae Kim, who voiced Full general Fong in the original series, was reported to have been cast as Fire Lord Ozai, followed 2 weeks later past Paul Sun-Hyung Lee, Lim Kay Siu and Ken Leung in their respective roles every bit Iroh, Gyatso and Zhao, along with news that production had begun in Vancouver.[130] [131] More casting news followed in December, with Elizabeth Yu, Maria Zhang, Yvonne Chapman, Casey Camp-Horinek and Tamlyn Tomita respectively bandage as Azula, Suki, Kyoshi, Kanna and Yukari, the latter an original graphic symbol.[132]

Avatar Studios

On February 24, 2021, ViacomCBS announced Avatar Studios, a new division of Nickelodeon centered on developing animated series and films set in the Avatar universe, to be distributed via Nickelodeon's linear and digital services, Paramount+, theatres, and other third-political party platforms. The segmentation is helmed past original series creators DiMartino and Konietzko, who are its co-chief creative officers and written report to Nickelodeon Animation Studio president Ramsey Ann Naito.[133] In addition to this declaration, the visitor also stated the studio would begin production of an animated film one-time in 2021. Konietzko and DiMartino remarked that "with this new Avatar Studios venture we accept an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad exciting ways and mediums",[134] while ViacomCBS Kids & Family unit president Brian Robbins declared "Avatar: The Last Airbender and Korra have grown at least ten-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to take Mike and Bryan's genius talent on board to captain a studio devoted to expanding their characters and world into new content and formats for fans everywhere".[133]

Animated films

On June 15, 2022, Paramount announces that 3 animated Avatar: The Terminal Airbender films are in production.[135] [136]

Tabletop roleplaying game

On July 12, 2021, Magpie Games appear that on August 3 of the same year they'd be launching a Kickstarter campaign for Avatar Legends: The Roleplaying Game, an officially licensed tabletop roleplaying game set in the universe of Avatar: The Last Airbender and The Legend of Korra.[137] The campaign raised USD $ix.53M, condign the most successful entrada for a tabletop game in Kickstarter'southward history.[138] Information technology has an expected release date of February 2022, with source books nearly Republic Metropolis and the Spirit Globe planned to exist released in August 2022 and February 2023, respectively.[139]

Notes

  1. ^ JM Animation blithe episodes #1–2, four, half dozen, 9–10, all even numbered from 12–24, 26–27, all even numbered from 30–54, 57–58 and 60–61.
  2. ^ DR Picture show animated episodes #iii, 5, 7–8, all odd numbered from 11–25, 28–29 and all odd numbered from 31–39.
  3. ^ Moi Animation animated all odd numbered episodes from #41–53, 55–56 and 59.

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External links

  • Avatar: The Last Airbender at IMDb
  • Avatar: The Last Airbender at the Large Drawing DataBase

Spoken Wikipedia icon

This audio file was created from a revision of this commodity dated 8 July 2020 (2020-07-08), and does non reflect subsequent edits.

Source: https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender

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